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Cottage STreet Gazette

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Posts tagged with "1950s"

Junior Frolics and Associates Part 7 of 8

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What else did we see? Charles Dickens' 'Oliver Twist' [1948] with Obi Wan Kenobi the younger [Alec Guinness,] and Robert Newton was the epitome of Long John Silver in 'Treasure Island' [1950.] I liked Newton better than Noah Beery as the peg-legged pirate. The 'Thief of Baghdad' [1940] with Sabu and Tim Whelan---I could have watched that movie once a day for years. Sabu with his flying carpet inspired me to write an Arabian short story years later [currently shelved due to political considerations.] The mysterious and strange 'Scarlet Pimpernel' [1935] of Leslie Howard was a Sunday afternoon treat. The 'Adventures of Robin Hood' [1938] in all its black and white glory allowed the straight shooting Errol Flynn to save Olivia de Havilland. Another presentation was 'Captain Blood' [1935,] a rousing sea adventure again showing Errol Flynn as Peter Blood ['…Colonel Darling! ...'] yet again winning the hand of Olivia de Havilland. Those two stars made eight movies together.

And who could skip 'King Kong' [1933] and the jungle adventure on Skull Island with Faye Wray, Robert Armstrong, and the ingénue, Mr. Kong. Or 'Frankenstein' [1931] with Colin Clive, Mae Clark, and the unbilled Boris Karloff. This film was scary in black and white, and imbedded in my young mind the scariness of dark, mountaintop, castle laboratories. I've always avoided such places---not that I was ever invited to one. I wonder how scary the movie would have been in color. Frankenstein's monster was really green.

The dark and eerie images of Bela Lugosi's 'Dracula' [1931] stayed with me for a long time---in scary black and white. '…I vant to bite your neck…'---perhaps not a direct quote, but in Lugosi's accent, it would have been a scary phrase. I was very happy to have Zacherley cut the horror a bit with his comedy. Thank you, John. I hope your wife's brain hasn't been served with onion dip.

Dracula and Frankenstein, partnered with the compelling life of Larry Talbot seen in the 'Wolf Man' [1941---year of the wolf bane,] to make the Big Three horror movies of my youth. I watched them numerous times; black and white, nothing graphic (spurring imagination was the key,) no gore, but pure Gothic terror at times for a young boy of the fifties.

When Dad spent the evening donating carpentry service to the Church? Why that was a good time for Happy Felton and the Dodger game, again with me on the floor in front of the TV with my Hershey ice cream or blue cheese and crackers---slowly disappearing into the setting son.

Happy Felton, a rotund fellow who looked rather silly in a Dodger uniform, had a pre-game show just before the Dodger games. Down the right field line, the guest Dodger player would usually throw or fungo hit a ball for the kid contestants to catch against the right field bullpen wall. The player then chose the best of three to win the contest. The kid generally won some memorabilia, baseball equipment, or both.

Happy also had a regular Saturday show, 'Happy Felton's Knothole Gang,' with guest players from the New York teams teaching kids baseball basics. The kids were taught in Ebbets Field, the Polo Grounds, and Yankee Stadium. It ran from 1950 to 1957. I guess it ended, in part, because the Dodgers and Giants moved from New York City to the West Coast leaving two-thirds of his ballparks empty.

Friday was grocery-shopping night for our family. We went with Mom and Dad when I was very young, but I could tell that Dad didn't enjoy the trip. He treated it as a responsibility and not as an enjoyable experience. I wasn't much older when the trip turned to an us and Mom-only expedition. Sometimes I went, but I was more likely to stay at home watching educational western TV or the Dodgers. So, most of the time, Mom went alone---well, not entirely. I guess little Mary Anne went with her.

And when she returned, I'd help unload the car. After which, I'd spend a few minutes looking through the bags to see what Mom had bought---not putting things away, mind you, but checking things out. Cookies, candies, and crackers were usually opened before the rest of the bags were empty. Oreos, Hydrox, Peanut Butter Creams, and chocolate chips were the cookies of choice. We also enjoyed Premium Saltine Crackers with almost anything. I had wheat crackers for my blue cheese.

Our grocery shopping was done at the A & P in downtown Middletown, near the phone company. It's not that we had a lot of choices. Other than the Grand Union on Orchard Street across from the library, there wasn't anyplace else of size to shop. There was the local Markovitz at the other end of town, and several other smaller groceries around, including Shoemaker's down our street at Larkin's corner [where I voted every year for Miss Rheingold.] But their prices were higher [though phenomenally cheap by today's standards], and they had limited selections. We only used the latter when we needed a few things and couldn't go to the A & P. When I was young, the stores were relatively small. No one even imagined a super-store. In the A & P, which was miniscule compared to the current stores, there were narrow aisles, stuffed shelves, the aroma of ground Eight O'clock Coffee pervading the air, a basic selection of fresh produce [in smaller quarters, the aromas are stronger,] and a bin of empty product boxes near the front. The A & P even had its own house brand of beer, though I don't know anyone who dared taste it. Noise and conversation abounded while our groceries were packed in paper bags or the binned boxes as we chose. Big, black cash registers were used and filled the air with even more noise. Ka-chink. Ka-chink.

When I'd be with Mom shopping, I'd push the cart with my attention directed around me to see who else was there. Thus, I often ran over Mom's poor heels in front of me. She'd have something to say about it, but I'd be likely to do it again. Maybe that's part of the reason she didn't mind my staying home and leaving the grocery shopping to her and Mary Anne.

Most stores were open to 9 pm on Friday nights. The rest of the week saw 6 pm closings, and everybody was closed on Sundays. This schedule was pretty standard, and I remember working at Green's Department Store from 1964-66 when we'd be open only on Friday nights. Of course the Christmas season was different. The stores remained open later each night as a matter of course–but still only until nine.

Except for the Yankees, 'Perry Mason,' and an occasional movie we hadn't seen before, Mom and Dad didn't watch television all that much. Dad occasionally watched Wednesday night or Friday night boxing when there was nothing else to engage his interest or Sugar Ray Robinson was on the card. Dad was an adherent of the concept that Sugar Ray was, 'pound for pound' the best boxer around. [Though that concept, literally, doesn't make much sense.] If we were all in the living room, we'd be watching television, and Dad and Mom would be reading---a habit I picked up. I can read anything light while the TV is on. Anything heavy or more intellectual will require silence. So the TV goes off.

I toiled on my homework upstairs in my room or downstairs at the kitchen table while Mom washed the dishes. I liked to have her immediately available to answer a question or deny having the knowledge. Any questions mathematical or physical were normally saved for Dad. I'd open the learning season by choosing new supplies such as a protractor, compass, pencils, pens, rulers---though they'd go missing when the next summer came around.

I used all those supplies, and usually brought some home each night in a book bag. Nobody used knapsacks, and we didn't have lockers. We could leave some books and notes in our desks, which had flip-tops, since for the most part we didn't change desks or classrooms. In high school it wasn't cool to use the book bags anymore. We could use small gym bags or use a rubber strap around the loose books, or just carry the books themselves. We still didn't have any lockers in high school either, but at that point we didn't care. The books used were simply too heavy to cart home unless we needed them for homework. The only desk storage space was underneath the seat. But, really, who would have stolen a Latin or Algebra textbook?

As with any youth, my homework was sometimes sketchy or forgotten. Amid the laughing and yelling on the high school bus, we'd compare our night's work, I'd share my work, or I'd copy from someone else's efforts if I agreed with him. I 'borrowed' from Jack Mills enough to have him comment about it in my yearbook. I was no slouch in criticizing his work either, but still---better a wrong something than nothing at all. There were many other pens and pencils working on the bus ride, so I wasn't alone in 'borrowing' homework. And as necessary, I lent my Latin efforts to others, even Jack. Fair is fair! Besides, nobody but Madeleine could translate Latin with any competence, and she wouldn't participate in our fair and balanced swapping. Usually, most of the rest of us were all off base. My efforts usually had numerous blank spaces for missing words or phrases. Opera publicus, Sister Chabonel!

Surprisingly, we didn't talk much about the previous night's TV fare, unless it was important for some reason: major cold war news, changes to the hierarchy in the USSR, the newest rock and roll songs, new model cars, major league baseball games or trades, or local news of note, or the latest romantic pairings. But mostly we had our own concerns.

I know. I know. I'm off the TV track and on the bus track to school. But, everything just flows, rather like responding to an essay question for which I actually know the answer. So, I let my mind wander wherever it wants to go---stream of consciousness as it were.

Back in the fifties, we could actually tell the difference between cars and the models of each make, as well as their years of manufacture. The models changed quite a bit each year, and kept us memorizing. Seeing them in a sunny situation was sometimes awe-inspiring. Man and machine. These days, you can't tell one model from another or one nameplate from another, and the cars are decidedly not awesome. Cookie-cutter cars, as it were---with the exception of the Chrysler 300 and Dodge Charger, which look like each other. And they both look like the Bentley. And I like all three, though I'd still rather have a jaguar. We didn't really track the changes in annual television set models---though I must say again that the Sylvania halo television appealed to my tender years.

I wasn't the type who could study amid loud rock and roll, or loud anything for that matter. In high school and college my study habits were rather quiet. I made my noise in social situations. We maintained a quiet home at 126 Cottage, except when Mom and Dad were yelling at each other.

Not noisy at home? I can still laugh about the time Mom caught me in my room singing 'Mack the Knife,' with Bobby Darin's versions on the radio and the record player all bellowing or blasting at the same time--- well…I wasn't studying, that's for sure. Mom opened the door and scared the hell out of me. Couldn't she have waited until the song was over?

Junior Frolics and Associates Part 6 of 8

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'The Million Dollar Movie' [M$DM] was an interesting concept. The same movie played at 7:30 pm and then again at 10 pm [during the day on weekends] on WOR-TV, Channel 9, a local channel. And this for an entire week! Some of the times changed over the years, but the M$DM lasted for quite some time: 'King Kong', 'Yankee Doodle Dandy', 'Mighty Joe Young', 'Three Husbands', 'Adventure in Baltimore' etc. Not every movie could be a M$DM. Only ones which could gather your attention over and over and not become stale---and me and Mary Anne could attest to that. We watched some of them weekday evenings at the early showing, and on weekends during the daylight hours. [Movies changed on Mondays.]

You don't see that kind of station or network dedication today. One exception is one of the true marathons of one show I've ever seen on TV. Spike TV showed CSI for an entire week. All the time. Every hour a different episode. From 9 am thru 3 am. From Monday through Friday. It filled in a lot of dead time as background for these essays when nothing very interesting was on any of the other stations. I usually have the TV on for company these days, and I can write these essays while they keep me interested between sentences. [USA does have frequent mini-marathons with Law and Order CI or Law and Order: SVU for a whole day] Other than the M$DM, there weren't any marathons in early TV.

Running times for the 'Million Dollar Movie' depended on the length of the movies, and how much had been cut to disinfect them for our poor minds. But, the movies were generally an hour and a half, some two. There were fewer commercials at the time [yet we still complained.] These days, with so many cable channels, you can see one movie a hundred times over the period of a few months. But it'll be hit or miss and won't be on a regular schedule. And I've seen movies on modern channels interrupted by numerous commercials---often at a poorly appointed time---the break often going up to three minutes. TV film editors continue to be lacking a cylinder or two.

Among the movies I particularly remember from that M$DMovie' series were 'Yankee Doodle Dandy' [1942] with Jimmie Cagney and Joan Leslie ['…born on the fourth of July...'] the story of George M. Cohan [1878-1942], the prolific composer and showman, and “Mighty Joe Young' (1949) with Terry Moore. This latter movie featured a stirring rendition of 'Beautiful Dreamer,' proving that the right music can decidedly tame the wild beast. It tamed Mr. Joseph Young of Africa, and it can always tame me. Mary Anne and I loved those two movies, and when they were on the M$DM, we must have seen each one a dozen times during its week. They were definitely one of the movies we had “seen before.'

I still remember lying on the floor watching Jimmie Cagney faking old age, kicking up his heels, dancing around the stage, singing, marching with his movie family, and being rightly humble with President Roosevelt. The music sold me on the pre-war tin-pan-alley tunes. As for Mr. Joseph Young of Africa, I can still see him playing tug of war with the 'strong' men, of whom Primo Carnera was the only one I recognized as being authentic, though I had heard of the Swedish Angel, Killer Kuwalski, and Man Mountain Dean. Later in the movie, Joe was a sight riding in the back of a moving truck, peaking out, shaking his fist, and then climbing out to scale a burning building to save the orphans. Hot stuff! And that fire scene had an orange tint throughout, reminiscent (I suppose) of the silent movie era---although I didn't know that until later when I had a color TV.

Junior Frolics and Associates Part 5 of 77,845

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I'm a bit late with this installment, because I found a new interest and delved into it full blast. Genealogy. I discovered a lot about my family, especially those from the old countries, Ireland and Italy. I'm still heavily into to, notably with a free trial at a genealogy site---and detailed investigations of census data---but I took the time today to catch up on my blogs.

Speaking of horror movies , who could forget Zacherley? (John Zacherle) He introduced late night horror movies and integrated his 'comedy” with the films. I think he was only shown in New York City when I saw him: Channel 11 (WPIX) at 11:15 pm Monday and Friday. Of course, I usually enjoyed his antics only on Friday. Dad and Mom went to bed after the 11:00 news and weather (fifteen minutes,) so I had free reign on watching the horror movie until I was ordered to bed. Mom never seemed to forget I was still up and watching TV. Dad could sleep through anything.

My research shows that Zacherley was on 'Shock Theater' from September 1958 to April 1959. I spent many hours (again on the floor with my Hershey's Ice Cream or blue cheese and crackers) watching: his ghostly appearance; his laboratory where he experimented on his wife's 'brain' (actually a head of cauliflower–--and we all knew it;) his scraping of a tin cup along jail bars during a prison movie; and the many other hilarious interruptions during his 'B' movie presentations: these all made the silly horror and other mysteries a lot more interesting. I liked them better than the current episodes of gore. Too bad Zacherley aged and is no longer actively with us.

While I never got to see Vampira, I've seen a lot of the more recent horror movie hostess, Elvira. But these days, there are no similar hosts because horror movies have gone gory, and any host humor would mean little other than poor taste to the viewers. Robert Osborne of TCM is too stiff to introduce the old genre films properly on TCM, and other horror hosts are too juvenile and silly, and that's saying a lot when compared to the likes of Zacherley. Some teens and teenyboppers may enjoy the current blood baths, but they're still not family fare.

Did you wake up to J Fred Muggs and Dave Garroway? Or go to sleep after Steve Allen, Jack Paar, or Johnny Carson? In our area, the New York local news we watched was at 11 pm with John McCaffrey and it lasted ten minutes. The weatherman, Tex Antoine, took another five thanks to sponsor Con Ed. He explained the weather with magnetic images of clouds, snow, or sunshine on the metal part [something like a rebus] and drew Uncle Wethbee on the drawing board part. John Cameron Swayze [before his Timex Watch commercials] and Douglas Edwards were also newscasters of the period.

At 11:20 we could enjoy the first ten minutes of the 'Steve Allen Show' [from New York at the time.] This portion was called a Variety Show. At 11:30, the rest of the country tuned in to the show, now named 'The Tonight Show'---which was on until 1 am. I enjoyed Steve Allen, but I was rarely allowed to stay up to watch him during the week. I'm glad he had another show earlier in the evening. In later years, I enjoyed his TV specials 'Meeting of the Minds' and a series of mystery novels. Steve also composed some 1100 songs. Yes, he was a very funny and talented fellow.

At one time, we had a brown, bakelite, AM radio. Mom used it to listen to Joe Ryan and other personalities of the day on Local Wall-1040 all the time---but mostly Joe. He sweet-talked most of the Middletown women, but sadly, his looks never matched his suave, housewife-attracting voice. I liked to listen to the music, but that radio was mom's. Others used it only on rare occasions, like the Middletown-Port Jervis football game on Thanksgiving. Dad only listened to the radio in the car [too often tuned to the Yankee baseball game, as far as I was concerned.] It was his car and his radio.

While we ran through several console and tabletop radios, we had only one TV. While we must have had earlier ones, the TV I remember was a FADA. I don't remember what model of this brand we had [they were probably just number and letter combinations], but the company stopped making its TV sets in 1956. Our set must have been from a few years before that, probably 1952 or 1953. I don't remember our buying a TV in 1954 or 1955. Other TVs always seemed on the greener side of life, and I liked the Sylvania sets with their Halo lights around the screen. I see that in ads today offering Phillip's flat-screen TV sets with 'ambient' light. The light changes with the screen image to expand the viewing sense. No new concept there.

Our FADA served us well for a long time and financed the education of the children of two TV repairmen, Walt and then Jerry. We saw them so often, especially around dinner-time, they became a part of our family. Walt's father had been a doctor, and I guess treating sick TV sets was Walt's way of carrying on the spirit. But it was my father who saved the day when he carried the set to the porch and watched the fire burn out. Even after that, we had it repaired and returned to loving service. We kids once had a three-color plastic sheet that was stuck onto the TV screen using the available static electricity: blue at the top (sky,) green in the middle (grass,) and brown on the bottom (dirt.) That was supposed to simulate color. It didn't.

Sundays was 'Wonderama' time. It starred Sonny Fox and Sandy Becker and sported: western movies, art instruction, quizzes, fairy tales, folk dances, Captain Video, animal guests---pretty much everything across the spectrum. The two hosts alternated, but I liked Fox better. We were particularly appreciative of the special Wonderama Christmas Shows in 1956, 1957, and 1959. They included caroling, dancing, interviews, kids, toys, etc. The Picture for a Sunday Afternoon (Sunday, 1 pm) was always best after I had made a quick trip to Larkin's. Mom gave me money, and I picked out penny candy with Ray Frink, the store manager---who always seemed to be there. I'd choose what I wanted with a consideration of Mom and Dad, though they really didn't have any favorites. They didn't eat much of the candy anyway.

I could choose from Mary Janes, wrapped caramels, malted milk balls, Sugar Daddys, Sugar Babies, Jujy Fruits, Chocolate Babies, little Tootsie Rolls, watermelon slices, triple-flavor coconut cubes, Bit-O-Honey, Candy Buttons, wax-syrup bottles, gum drops, Mexican Hats, spearmint leaves, licorice pipes, licorice shoe strings, licorice wheels, cherry shoe strings, marshmallow ice cream cones, allsorts, jelly nougats, Jordan Almonds, Walnettos---and if I had a nickel for myself, a package of baseball cards and bubble gum. On Sundays, we didn't go in for hard candy or chewing gum.

We'd all share the sugary bounty while watching the likes of L'il Abner [before the musical,] Gunga Din, Beau Geste, King Kong, and Double Indemnity. We saw 'Scatter Good Baines,' Edward G. Robinson, Randolph Scott, Ray Milland, Fred McMurray, George Raft, Humphrey Bogart, and James Cagney regularly. They were in mysteries, westerns, gangster movies, light comedies, or drama [1930s and 1940s.] 'Top of the World, Ma!' The movies were black and white (not that we could have seen them in color anyway,) and were all pre-1950s. After all, that was the 1950s! Nothing current was shown on television then.

Mom was usually reading a book [usually a Perry Mason novel] and Dad was reading the print off the Sunday News, Sunday Mirror, and Journal-American. The aroma of dinner still lingered throughout the house. Peace reigned. I was still delaying my home work, but my un-aching back was stable on the floor while I exercised my eyes on the FADA.

Come to think of it, by reading several newspapers completely, Dad was probably quite well informed about the activities of the day that had reached newsprint. It's just that he didn't talk much about them with us. If he did with Mom, he did it in private. I still read the Sunday News, especially the Justice Story, partially in his honor. For some reason or another, I rarely spoke with either parent about the news of the day. But I do remember walking into the dining room and seeing the Daily News on the table with the blaring headline about the execution of the Rosenbergs. But even then, there was no family discussion. I didn't fully understand anything about them, but I was still in the phase where all government, media, and businesses were the last word about everything.

One of my favorite newspaper inserts was the recent complete NY Daily News from 1963. The features, comics, and ads brought back many memories. I do miss the Sunday Mirror and the Sunday Journal American. They had good comics and a different slant on sports, but the Unions put them out of business years ago.



Junior Frolics and Associates Part 3 of 51,742

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Welcome to Installment 3 of 78,486

Television was still relatively new and had great popularity in the 1950s---and before Gallup, there was the American Research Bureau's ratings, recorded from diaries kept in selected homes. Results during February 1956 showed: 1. Ed Sullivan, a really big evening variety shew; 2. $64,000 Question, a questionable quiz show; 3. Perry Como, a musical variety presentation; 4. I Love Lucy, a timeless sitcom; 5. Climax!, a murder-mystery drama; 6. Person to Person, an interview show; 7. Groucho Marx, an ersatz quiz show; 8. December Bride, another sitcom; 9. Caesar's Hour, comedy and variety; and 10. Lux Video Theatre, with dramatic presentations.

In this 1956 survey, CBS took six of the top ten spots, with NBC having four. Just a year earlier, CBS had taken eight of the top ten spots, with NBC at one and ABC at one lagging behind. Both years, Perry Como on NBC was in that top ten. Interesting observations, certainly, but not Earth-shaking, n'est pas? These days, I would observe that the top ten shows are probably on cable and not broadcast TV.

Kate Smith with her robust voice had a show every weekday at 4 pm in the early 1950s [as did Nat King Cole and Liberace.] My Nana watched it [and them] religiously. Kate was best known for her rendition of Irving Berlin's 'God Bless America', but she belted out other songs with grace and elan as well. Berlin pretty much gave her the song. No one else dared sing it while she was in her heyday. No other singer has done a better job.

Edgar Bergan's Charlie McCarthy and Mortimer Snerd were classics. Wooden wisecracks are always popular, aren't they? To me, those two dunderheads were almost like real people, and Edgar Bergen's id must have suffered from the efforts. 'People are Funny' with Art Linkletter was an enjoyable diversion. I'd rather watch the actions and hear the words of normal people than Hollywood and TV stars any day. This was especially good with the little kids and what came out of their mouths. I could relate to them, having been a little kid myself not so many years before.

'The Naked City,' based on a great movie, began as a half-hour show in 1958. Starring John McIntyre and James Franciscus, it was a controversial New York City crime drama rather like the Law part in today's 'Law and Order,' and with a semi-documentary look. McIntyre became homesick and wanted to return to California, so he was killed off in a fiery crash. That created a firestorm of criticism that led to the show's demise in 1959. It returned in 1960 as the one-hour 'Naked City' with Franciscus, Nancy Malone, and Horace McMahon [who in some studio stills looks like Jack Webb.] As before, the show was a popular and critical success, but it was canceled in 1963 despite the good ratings. Another example of TV executive wisdom. Getting back to the 'Naked City' movie, which had come out in early 1958, it starred Barry Fitzgerald and Howard Duff. I can still watch that over and over and over, and I heartily enjoy it even though I know how it ends. Either I'm senile or that's a great movie!

Perry Como's variety show began as the 'Chesterfield Supper Club' in 1948 and lasted until 1955. It was then changed to 'Kraft Music Hall,' and lived a good life until 1963. Both shows had obvious sponsors. Perry's theme song was the romantic “Dream Along With Me...I'm on my way to the stars…' With 'Chesterfield,' Perry featured the Fontane Sisters and Ray Charles Singers, while his 'Kraft' show offered Kaye Ballard and Don Adams. In both shows, Perry charmed the audience with his friendly nonchalance and golden baritone voice. We watched it all the time, though I was bit young during the 'Chesterfield' run. And if Perry were ever to be compared to the later star, Andy Williams, I'd say Perry 10, Andy 5.

Ralph Edwards dominated and laughed his way through each 'This Is Your Life' episode that ran from 1952 to 1961.
He presented the sugar-coated lives of Marilyn Monroe, Bob Hope, Laurel and Hardy, Jack Benny, Bette Davis, and too many movie production individuals and teams and civic leaders I didn't know and couldn't appreciate The 'lives' would be illustrated by the voices and anecdotes of relatives and friends, present and past, sometimes to the astonishment of the surprisee---and me because I didn't know them either. And we weren't always sure that the guest surprisee was particularly happy about the 'voice' or 'person' from the past---or, for that matter, even having his life discussed in the first place. A party would be held after the show for the guest and the visitors. I'd have given my 'Crackle' puppet to have been a fly on the wall for some of them.

Ray Forrest hosted the 'Children's Theater' from 1949 to 1961, culminating in his five week broadcast from 'Freedomland' in the Bronx, a place we visited during high school. Sadly, 'Freedomland,' which was laid out in the shape of the US, has been closed and gone for quite some time, and I deny responsibility for that. The 'Merry Mailman' of Ray Heatherton ran from 1950 through 1956, providing cartoons and gentle shenanigans for we kids to follow. Ray was okay, but his daughter, Joey, was a knockout! I also remember 'Mr. I. Magination from a bit earlier, and---except for a scene or two---I always get my memories of the two shows mixed up. His kid's show was the only one in memory which exhibited the character's wife---in this case, Mrs. I. Magination.

In 1958 on Channel 11 were Officer Joe Bolton and the 'Three Stooges' Funhouse.' I probably saw dozens of the trio's movies in those years. Curly, Moe, and Larry were classic funnymen, though Laurel and Hardy still stand greater in my memory. Their antics may just have inspired my brother Ed to provide his corny military greeting to me. He'd pat me on the head, the back, and then the chest while saying 'Hi old top, glad to see you back from the front.' Uh, top sergeant, that is, and uh---well, we thought it was funny!

Claude Kirchner's 'Super Circus' was televised from Chicago (and presented by Kellogg's,) and when it moved to New York in 1955 the ringmaster was changed to Jerry Colonna. His open eyes were almost as big as plates to us. He was naturally funny. Kirchner, a much stiffer man, moved to New York at the same time, and from then until 1962 he led the “Terrytoons' Circus,' another venue of wonderful cartoons for kids. I would imagine it was a tough job for an adult to emcee a cartoon show. You had to project enthusiasm and concern for cartoons and the characters on a regular basis. To paraphrase Roy Campanella: 'you have to have a little kid in you.' To paraphrase me: 'you have to have a lot of patience and chutzpah!'

We enjoyed Broderick Crawford in 'Highway Patrol' with his guttural '10-4.' That utterance became a regular sign off in the civilian world as well, whether for fun or in all seriousness. 'Yeah, Dad! '10-4' Dad!' Smack! 'Show your father more respect when you answer him!' Then in the 1970s, the handles and messages of the truckers and the CBers were all the rage. Lucy and Desi in 'I Love Lucy,' is a classic sitcom, especially when Fred and Ethel were at their best. Lucy's and Ethel's chocolate escapade was funny as all get out [we can't use h*e*l*l on this blog.] Just as the Lucy situations were predictable, they were very funny. 'Good clean fun.' as they say. And, we didn't have to understand Desi's Spanish to enjoy the proceedings. As with Old Lady Schumaci [a childhood nemesis and neighbor who spoke only Italian---discussed in another essay,] tone and arm movements are the universal language. Lucy's antics, usually aided and abetted by Ethel and Fred, included grape stomping, dancing, vaudeville skits, and embarrassing Rickie's guest stars.

Eve Arden and Richard Crenna in 'Our Miss Brooks' often exasperated their private school principal, Gale Gordon in the early fifties. Crenna in particular, as Walter Denton, was enough to drive anyone up a wall. Later, he was a bona fide movie star, including a stint in 'Rambo, First Blood.' John Daly's 'What's My Line?' ranged from silly to mundane to deep. 'I've Got A Secret' with Garry Moore and Durwood Kirby always seemed somewhat inane. Of course, you know that Kirby was reincarnated in the 1970s as Spiro Agnew. Richard Carlson thrilled us with his 'communist' adventures in 'I Led Three Lives.' The show was about an FBI double agent among the communist cells in America. Each week was a different story about his infiltration of the cells and (Herb) Philbrick's subsequent report---from a secret room in his basement---to the Feds. Who said the cold war era of the 1950s didn't affect regular television shows?

That TV show encouraged me to read the source book, 'I Led Three Lives' as well as 'You Can Trust the Communists [to do exactly what they say,'] 'The FBI Story,' and 'Masters of Deceit' by J. Edgar Hoover. At that point, I was ready to report for duty with the FBI or CIA at a moment's notice. I did join the boy scouts, and my two brothers were members of the Ground Observers' Corp.

A funny result of all this TV viewing is that later, when I saw their earlier movies, my mind saw these stars in their later TV guises. [Got that?] Thus Broderick Crawford would always be Dan Mathews of Highway Patrol, whether he played a governor, senator, or hitman; Lucy would always be Lucy Riccardo of I Love Lucy; Richard Carlson would always be a double agent; Richard Crenna would always be a wise-cracking Walter Denton; etc. 'Hey, there's Herb Philbrick! What's he doing in this movie?' 'How did that annoying Walter Denton get to be a General?'

Jackie Gleason's 'Honeymooners' was originally a skit on his 'Cavalcade of Stars' [on the Dumont Network, later moving to CBS.] The old Dumont system is said to be reincarnated in Fox. I don't know for sure. I remember the night Gleason broke a leg while running offstage on his variety show. He slid and tripped off stage and out of camera range during a Reggie Van Gleason skit. Of course, the show went on, though Jackie was missing. Most shows were live in those days, so accidents, bloopers, and other flubs were right in front of us. I enjoyed the 'Honeymooners' and probably saw most of the shows, many of which cannot be shown today because they weren't recorded. '…One of these days, Alice. Right in the kisser…' '…Baby, you're the greatest…' Ralph was a city employee and he was proud of it: '…I brive a dus…'

'Don Winslow of the Coast Guard' was an interesting show, though a stiff acting ensemble kept it in the unbelievable category. Winslow and his compatriots were always attired in formal, dress-white uniforms. I believed logically they should have been wearing khaki. White is a formal dress uniform and not a work uniform. After all, Winslow and associates were working at the time, and it seemed to me that fighting in khaki would have been much easier---no shoulder boards, at least. Actually, I think the show was made up from a movie series, and the white uniforms probably made in more Navy/Coast Guard-like.

Richard Greene's 'Adventure's of Robin Hood' was a closely watched show. I enjoyed the weekly adventures through the fake TV forests of Sherwood of the twelfth century. '…Robin Hood, Robin Hood, riding through the glen…' Rufus Cruickshank, at 6' 5” made a marvelous stand-in as “Little John' for the injured Archie Duncan, and the Prince John of Donald Pleasance was admirably evil and creepy. Greene, at least, had an English accent. The voice of Pleasance was---well, pleasant. And it could fit any nationality easily,

Part 70,589.4 coming up. Stay tuned.

Junior Frolics and Associates Part 1 of 56,927

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The 1950s boasted of television in its commercial infancy and my childhood. We both eventually grew up---though we both still have our juvenile points and have had some rocky paths to cover. My memories of live television and the early half-hour taped and live shows were from a child's and adolescent's point of view but remain strongly in my adult mind. And I often reminisce about the 'good old days', especially when I groan through a new 'classic' on broadcast TV---Law & Order excepted.

Who and what do I remember in those early days of black and white TV? For one thing, I remember always laying on my back on the floor, with a pillow under my head so I'd be comfortable watching the tube. I'd often have a pint of Hershey's ice cream or blue cheese and crackers to wile away the evening. With cable non-existent, we watched local stations via the antenna on the roof of the house. [Is the satellite receiver much different in concept?] But, being near New York City, we did have a decent selection: 2 [CBS,] 4 [NBC,] 5 [WABD Dumont,] 7 [ABC,] 9 [WOR,] 11 [PIX], and 13 [WATD from Newark.] The New York Yankees were on 11, the Brooklyn Dodgers were on 9 [the Giants were somewhere I think], and Junior Frolics [cartoons] was on 13. In our family, those were the important channels. The science fiction shows consisted of the likes of Buck Rogers, Captain Video, and Captain Midnight, and later Twilight Zone.

These evening 'repasts' were best enjoyed with the Dodger baseball game, Milton Berle, Jack Benny, Burns and Allen, Red Skelton, Jackie Gleason, 'Perry Mason', [Twilight Zone was usually seen at Jim Dineen's home] or if later in the evening, Steve Allen and Zacherly.

But, to the younger days. The Cowboys and Indians were well represented, though not through sports. The Roy Rogers and Dale Evans Show “…Happy trails to you…” was new and fresh [it used Pat Brady's jeep, Nellybelle] with gunshots that never hit anybody and the stars' singing to boot. Gunsmoke with Jim Arness [Marshal Dillon,] Amanda Blake [Kitty,] and Dennis Weaver [Chester] limping his way across the action, was on for eighteen years. I didn't know at the time that Arness had acted as the 'Thing From Another Planet' a few years earlier. Broken Arrow was a show with a different point of view. Starring Michael Ansera as 'Cochise.' the show was based on the novel 'Broken Arrow' by Elliott Arnold. 'Broken Arrow' of note, is an Indian symbol for peace. Perhaps the connection among these shows was that no matter how many gunshots were heard, the heroes and stars were never hurt much. And when they received a wound, it seemed to disappear rather quickly.

To the rousing tune of the William Tell Overture, The Lone Ranger and Tonto rode into my living room every week on Silver and Scout. “Who is that masked man?” ---a weekly question to end each episode as the Lone Ranger disappeared from the scene. The Lone Ranger always had the right answer, and Tonto was his executive officer, as it were. It's just that Tonto was the one who got beat up all the time. His was often a spy's job, and he had to suffer the consequences. I think the Lone Ranger 'sprung' him from jail about a hundred times a year---without acknowledging that he was often the one who got him in the calaboose in the first place. Take a listen to Bill Cosby and you'll get an idea of how Tonto must have felt. Cosby has the straight skinny. Most of the above half-hour shows [Gunsmoke, at least, was an hour] were broadcast on Saturdays during the daylight hours. Better for kids. Though the sugary cereals advertised weren't better for the kids. I was a Rice Crispies kid. I couldn't stomach the library paste, oatmeal, though I could weather the storm with an occasional bowl of Maypo, Cream of Wheat, Wheateena, and the like.

And the old cowboy movies! Day and Night. They were regular TV fare and enjoyable to look forward to. Mostly from the thirties and forties, they featured Bob Steele, Tim Holt, Lash La Rue, Roy Rogers, Gene Autry, Bob Livingston, William Boyd's Hopalong Cassidy, John Wayne and Randolph Scott. How dare they call their efforts 'B Movies'? We enjoyed sidekicks like Gabby Hayes [Roy Rogers, John Wayne and Hopalong Cassidy,] Fuzzy Knight, Smiley Burnett (Gene Autry), Indian Chief Thundercloud, Iron Eyes Cody (who was really Italian,) and Jay Silverheels (Tonto.) I can still see Gabby Hayes, ragged beard and all, smiling with his “Aw, Hoppy” during a movie, usually at the required humorous ending.

Well, awe gee, golly. This is long enough. We'll meet Annie Oakley, Sky King and Paladin and the Brooklyn Dodgers in the next installment.